Really good explanation as to why #SOPA and #PIPA are a really bad idea!
These bills will affect content creators everybody – worldwide.
This is not just a US bill, this proposed legislation will have a global impact.
These bills will affect content creators everybody – worldwide.
This is not just a US bill, this proposed legislation will have a global impact.
Happy to present a showreel for your enjoyment…
I am in the process of developing some software for use on film sets to assist Data Wranglers. Consequently, I am putting out a call for people involved in Data Wrangling to become part of a closed Beta testing process. Operators interested in becoming part of the Beta programme should contact mark@greensideproductions.com.au with the following information:
We arrived in Germany via Frankfurt airport at 0630 on Sunday and made our way across to Terminal 1 where we went around in circles looking for the right platform for the train to Bonn. We spent a while trying to figure out where to go traveling up and down escalators but eventually found the ICE ticket counter and coughed up the 122 euros required to get us both to Bonn.
Today was to be our last day in Iraq. Once we had bade a temporary farewell to orchestra members and staff, we made our way to the airport where once again we found ourselves doing battle with Etihad and trying to convince them that our tickets were actually in their system. This took a little longer than was required to for us to retain any level of confidence that the checkin staff had more than the most rudimentary of clues about what they were doing.
Paul has asked for a copy of the concert audio on CD so I set about pulling together a quick and dirty CD master using some software Cam has brought on his laptop. I will be doing a more thorough job on the master when I return to Australia and can do the mastering in a known environment, but for now the rough mix I cobbled together on headphones on the day will have to suffice.
Time has gone past very quickly here in Iraq and all of a sudden the concert day is upon us. In anticipation of a lengthy search operation by the security militia that police the venue, the bus leaves the Hotel on the dot of 0845 and arrives at Saad Palace just as the venue is opening. Fortunately, the guards are quite lenient with the searching and let the orchestra straight into the venue to get set up.
Today was spent ‘rigging’ the concert hall for the recording. This means that we have had to lower the lighting gantry and install cable drops onto which we have installed the Schoeps microphones that will be used for the recording. As the lighting gantry is directly above the orchestra, we are using fishing line to tie back the cables in order to position the microphones directly in front of the orchestra.
Cam and I are sharing a hotel room. The fact that two blokes, sharing a hotel room with limited ventilation in a very hot country, have a room that currently smells like an orangutans armpit should not be surprising to anyone, but we are doing our best to keep it ventilated as much as possible. However, these efforts only seem to make the situation worse as when we open up the window all we do is let more hot air in. The air conditioning seems to work quite well, although it is a little noisy and opening up the window to reveal the condensor unit right outside the window doesn’t bode well for a good nights sleep. Oh well, these things happen. You only notice the aroma for the first minute – after that you get used to it quite quickly.
Last sectional rehearsals this morning and the rest of the day was spent practicing the chamber music programme and with tutti rehearsals of the Beethoven and the Authman commission. There are now three film crews on site, all trying to get out of each others way and stay out of each others shot.
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